Tate
Modern, which officially opens today, has offices as innovative as the
art in the gallery itself. One of a number of high profile workplaces
that have been totally revolutionised in recent years, Tate Modern's dramatic
design extends well behind the gallery walls. Each and every function
within the offices where the staff who create the gallery operate, has
been looked at and overhauled, creating increased productivity and staff
satisfaction in the process.
The offices were designed by Alexi Marmot Associates (AMA),
whose analysis into office life has revealed that private offices and
desks as essential anchors are obsolete and that productivity is best
achieved when space is planned according to tasks.
Computers are raised off the desk surface leaving the wheeled
desks free to move, giving people flexibility to work in different ways,
alone or in teams. Banks of brilliantly coloured storage units add fun
and drama to the workplace. A curved white "entrance wall" draws
people in visually and at the same time provides the necessities of office
work: a gathering space, mail, faxes, copiers, desks for touch down work
etc.
Tate Modern Director, Lars Nittve, says: "The office
expresses the way people in the new gallery work together. Everything
is open, teams work flexibly on projects across gallery disciplines. I
have a desk in the open like everyone else so I really know what's going
on."
AMA worked with Barbara Weiss Architects, while Jasper Morrison
advised on furniture co-ordination with the rest of the gallery. Meeting
rooms are designed and appointed with furniture by Eames, Morrison and
Citterio.
Anna Lagerkvist
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